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Salmon, James [1873-1924. UK. Architect]
Salmon, James [1873-1924. UK. Architect]
James Salmon was born the son of the architect William Forrest Salmon (1843-1911… subscribers only
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Bibliography
1. O’Donnell, Raymond. The life and work of James Salmon architect, 1873-1924 Edinburgh: The Rutland Press, 2003
2. Walker, David. ‘The partnership of James Salmon and John Gaff Gillespie’ in Edwardian Architecture and its Origins. Edited by Alastair Service London: The Architectural Press Limited, 1975 pp.236-249
3. The Glasgow style 1890-1920 Glasgow: Glasgow Museums and Art Galleries, 1984
4. Cumming, Elizabeth. Hand, heart and soul: the Arts and Crafts movement in Scotland Edinburgh: Berlinn Limited, 2006 [ISBN 10: 1-84158-419-3]
5. Gray, A. Stuart. Edwardian architecture: a biographical dictionary. London: Gerald Duckworth & Co., Ltd., 1985
6. Directory of British Architects 1834-1914. Compiled by Antonia Brodie, et al. Volume 2: L-Z. London; New York: British Architectural Library, Royal Institute of British Architects/Continuum, 2001
7. Walker, David M. ‘Salmon, Son, Grandson and Gillespie’ Scottish Art Review vol. 10, no. 3, 1966 pp.17-29
1. O’Donnell, Raymond. The life and work of James Salmon architect, 1873-1924 Edinburgh: The Rutland Press, 2003
2. Walker, David. ‘The partnership of James Salmon and John Gaff Gillespie’ in Edwardian Architecture and its Origins. Edited by Alastair Service London: The Architectural Press Limited, 1975 pp.236-249
3. The Glasgow style 1890-1920 Glasgow: Glasgow Museums and Art Galleries, 1984
4. Cumming, Elizabeth. Hand, heart and soul: the Arts and Crafts movement in Scotland Edinburgh: Berlinn Limited, 2006 [ISBN 10: 1-84158-419-3]
5. Gray, A. Stuart. Edwardian architecture: a biographical dictionary. London: Gerald Duckworth & Co., Ltd., 1985
6. Directory of British Architects 1834-1914. Compiled by Antonia Brodie, et al. Volume 2: L-Z. London; New York: British Architectural Library, Royal Institute of British Architects/Continuum, 2001
7. Walker, David M. ‘Salmon, Son, Grandson and Gillespie’ Scottish Art Review vol. 10, no. 3, 1966 pp.17-29
